5/ Writing and filming queer deaths
DOI:
https://doi.org/10.13131/2611-657X.whatever.v4i1.152Keywords:
death studies, queer studies, media studies, memoir, English literatureAbstract
This is part 5 of 6 of the dossier What do we talk about when we talk about queer death?, edited by M. Petricola. The contributions collected in this article sit at the crossroads between thanatology, critical animal studies, and the posthumanities and tackle questions such as: how can we re-interpret literature, film, and media products through the lens of queer death studies? And how can we rethink death, dying, and disposal through literature, film, and media?
The present article includes the following contributions: – Adair J.G., The corpse comes out : spectral sexualities and the biographer’s impulse; – Berry S., The queer death binary of Giovanni’s Room remodeled as space for navigating oppression; – Bigongiari G., Queering the life/death dualism through barely alive literary characters; – Hogan M., The promise of a queer afterlife: a counter-proposal to preserving normative singularities in the cloud; – Corradino A.C., Notes on female necrophilia.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2021 Joshua G. Adair, Stacey Berry, Giulia Bigongiari, Mél Hogan, Anna Chiara Corradino
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Whatever is an open access journal, which means that all articles are available on the Internet to all users immediately upon publication. Our articles are published under the terms of the Creative Commons Licence 4.0 by-nc, which permits use and distribution in any medium, provided the original work is properly cited and the use is non-commercial.
Authors hold copyright without restrictions. Also, authors retain publishing rights on their articles; however, it is recommended to keep track of the CC-BY-NC license and to quote original publication.