Vol. 7 No. 1 (2024): Visual Arts through a Queer Lens (1800-2000)

Special monographic issue of Whatever

DOI: https://doi.org/10.13131/unipi/ss5h-4228

Published: 2024-09-26

Full Issue

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Editorial

Visual Arts through a Queer Lens (1800-2000) Introduction to the special issue

1-6
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- PDF (Italiano)

Visual Arts through a Queer Lens (1800-2000)

Dionysian Fantasies and Queer Subtext in Filippo de Pisis’ Male Nudes

Sara Vitacca

9-28
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“…irresistibly attracted to certain complications”: queering desire and painting in Italian Magic Realism

Filippo Bosco

29-52
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Cross-dressing, gender performance and photographs of ghosts The mediumistic sessions of Linda Gazzera and Eva Carrière

Greta Plaitano

53-74
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Hiding the Queer Identity in Painting: The case of the Greek painter Diamantis Diamantopoulos

Evaguelia Diamantopoulou

75-86
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Queer Rediscoveries and Appropriations of Francis Picabia in 1970s Italy

Giorgio Di Domenico

89-108
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Madame Pontormo in leather Pathosformeln, “deviant citation” and sadomasochistic hermeneutics in art history according to Corrado Levi

Sergio Cortesini

109-150
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Non-normative models: some considerations on the male nude in performance art contexts in Italy (1968-1974)

Francesca Gallo

151-171
- PDF (Italiano)
Queering Identity: Luigi Ontani’s Camp Tableaux

Anna Mecugni

172-202
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Andreas Karayan’s pioneering, queer counter-discourse in 20th-century Cypriot art

Antonis Danos

203-226
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