ARCHIVIEROTICA
Archiving the fetish desire of an Italian gay man
DOI:
https://doi.org/10.13131/2611-657X.whatever.v6i1.199Keywords:
paper ephemera, archive, social sciences, pornography, fetishismAbstract
Starting from a small amateur archive of erotic images collected over time by an Italian homosexual man from the fetish world, referred to as E., a theoretical and visual research has been developed that covers aspects of fetish and the associated visual culture. ARCHIVIEROTICA investigates this independent archive by combining text and graphic reworking, accompanying each paragraph with a selection of images from the said collection, repurposed as a new source to be reactivated. By exposing the archive, this article aims to demonstrate how a spontaneous practice conceals a subversive force that clashes with the power-institution it mimics. The paragraph entitled FETISH will define this concept and locate the chronological references found in the archive, while the second, SENSITIVITY, will navigate between analogue, digital, and the synaesthetic image that depicts the fetish; the following, COMMUNITY, starts from a conversation with E. and considers the image-for-attracting and the precarious digital archiving modes; the fourth paragraph, PUBLIC, will deal with the digital censorship of sexuality and (queer) rage that can be reclaimed.
References
Bibliografia
Andrews V. L., 2018, The Leather and BDSM Handbook, Adynaton Publishing, Washington DC.
Ashley V., 2019, “Tumblr porn eulogy”, in Porn Studies, VI, 3: 359-362.
Asprey C., Marsh A., eds., 2020, Tenant of Culture, Soft Opening, Londra.
Barnard M., 2014, Fashion Theory. An Introduction, Routledge, Abingdon / New York,.
VAN Bennekom J., Jonkers G., eds., 2021, Fantastic Man, 33, TOP Publishers BV.
Baldwin G., 1991, “A Second Coming Out”, in Thompson M., ed., 1991/2013, Leatherfolk: Radical Sex, People, Politics and Practice, Daedalus Publishing, Los Angeles CA
Barile N., “Essenza del Feticismo”, introduzione a Steele V., 2005, Fetish. Moda, sesso e potere, Meltemi, Roma: 7-23.
Berardi F., 2021, E: La Congiunzione, Nero, Roma.
Brajato N., 2020, “Dancing in the Dark: Bodily Borders and Clothing Limits in the Experience of Clubbing”, in Dune, I, 1: 110-119.
Bronski M., 1991, “A Dream is a Wish Your Heart Makes: Notes on the Materialization of Sexual Fantasy”, in Thompson M., ed., 1991/2013, Leatherfolk: Radical Sex, People, Politics and Practice, Daedalus Publishing, Los Angeles CA
Bruno A., 2013, BrUTO, Milano.
Buchloh B. H. D., 1993, “Gerhard Richter’s Atlas: The Anomic Archive”, in Charles Merewether, ed., The Archive, 2006, MIT Press / Whitechapel, Cambridge MA: 85-102.
Byron P., 2019, “How could you write your name below that. The queer life and death of Tumblr”, in Porn Studies, VI, 3: 336-349.
Califia P., 1994, Public Sex: The Culture of Radical Sex, Cleis Press, San Francisco.
Cella B., Pescatore O., eds., 2019, Queer Publishing. A Family Tree, Salon für Kunstbuch, Vienna.
Comeforo K., 2013, “The Commercial Closet”, in Campbell J., Carilli T., eds., Queer Media Images: LGBT Perspectives, Lexington Books, Plymouth: 147-156.
CRUMP, J., 1994, “The Kinsey Institute Archive. A taxonomy of erotic photography”, in History of Photography, XVIII: 1-12.
DE Donno E., Martegnani A., eds., 2020, YES YES YES Revolutionary Press in Italy 1966-1977 form Mondo Beat to Zut, Viaindustriae publishing+A+M Bookstore e COLLI Publishing Platform, Foligno/Milano.
DE Kosnik A., 2016, Rogue Archives: Digital Cultural Memory and Media Fandom, MIT Press, Cambridge MA.
De Leo M., 2021, Queer, Einaudi, Torino.
Despentes V., 2006, King Kong Théorie, Grasset & Fasquelle, Parigi; trad. ita. di Maurizia Balmelli, King Kong Theory, 2020, Fandango Libri, Roma.
Dye L., 2018, “STOP FOSTA SESTA”, in Phile. The International Journal of Desire & Curiosity, 3: 117-122.
Engelberg J., Needham G., 2019, “Purging the queer archive. Tumblr’s counterhegemonic pornographies”, in Porn Studies, VI, 3,: 350-354.
Fischer H., 1977, Gay Semiotics: A Photographic Study of Visual Coding Among Homosexual Men, NFS Press, San Francisco CA.
Florencio J., Miller B., 2021, “Sexing the Archive: Gay Porn and Subcultural Histories”, in Radical History Review, 142: 133-141.
Fontcuberta J., 2016, La furia de las imágenes. Notas sobre la postfotografía, Galaxia Gutenberg, Barcellona; Trad. It. di Sergio Giusti, 2018, La Furia delle Immagini. Note sulla postfotografia, Giulio Einaudi Editore, Torino.
Frisa M. L., Tonchi S., eds., 2011, Lei e le altre. Moda e stili nelle riviste RCS dal 1930 a oggi, Marsilio, Venezia
Geczy A., Karaminas V., 2013, Queer Style, Bloomsbury, Londra.
Getsy D. J., ed., 2016, Queer, MIT Press, Cambridge MA.
Giami A., 2015, “Between DSM and ICD: Paraphilias and the Transformation of Sexual Norms”, in Archives of Sexual Behavior, XLIV, 5, Springer Science+Business Media, New York NY: 1127-38.
Gilardi A., 2002, Storia della Fotografia Pornografica, Bruno Mondadori, MIlano.
Haimson O. L., Dame-Griff A., Capello E., Richter Z., 2021, “Tumblr was a trans technology: the meaning, importance, history, and future of trans technologies”, in Feminist Media Studies, XXI, 3: 345-361.
Halberstam J., 2005, In a Queer Time and Place: Transgender Bodies, Subcultural Lives, New York University Press, New York NY: 169-170; citato in Engelberg 2019.
Hanson D., ed., 2014, Tom of Finland. The Complete Kake Comics, Taschen, Colonia.
Heartney E., 1988, “In Defence of Pornography: A Necessary Transgression”, in Jones A., 2014, ed., Sexuality, MIT Press, Cambridge MA: 147-149.
Helms A., 2003, “Reflections on Gay Male Porn”, in The Gay & Lesbian Review Worldwide, X, 4.
Hiller S., 1994, “Working Through Objects”, in Merewether C., ed., The Archive, MIT Press / Whitechapel, Cambridge MA: 41-48.
Hoegen P., ed., 2020, Another Version: Thinking Through Performing, Onomatopee, Bruxelles.
Holycrap, 2011, Rubbish Famzine, Singapore.
Hubner M., Klanten R., Mollard A., eds., Behind the Zines: Self-publishing Culture, Gestalten, Berlino.
Hudson, 1986, testo tratto dalla performance “Sex Pot”, riportato in Cooper, Hawkins R., eds., 1987, catalogo della mostra “Against Nature: A Group Show of Work by Homosexual Men”, LACE, Los Angeles CA; in Getsy D. J., ed., 2016, Queer, MIT Press, Cambridge MA: 64-65.
Jones G. B., LA Bruce B., 1985 (-1991), J.D.s, Toronto; consultato il 16 febbraio 2022 tramite https://archive.org/details/j.d.s/J.D.s%201/mode/2up.
Jurgenson N., 2019, The Social Photo. On Photography and Social Media, Verso, Londra / New York.
Kabakov I., 1977, “The Man Who Never Threw Anything Away”, in Merewether C., ed., The Archive, MIT Press / Whitechapel, Cambridge MA: 32-37.
Kroll E., 1995, The complete reprint of John Willie’s “Bizarre”, Taschen, Colonia; https://archive.org/details/completereprinto0000will (consultato il 26/01/ 2022).
Laaksonen T. (Tom of Finland), 2016, Reference, Innen, Ginevra.
Magister T., 1991, “One Among Many: The Seduction and Training of a Leatherman”, in Thompson M., ed., 1991/2013, Leatherfolk: Radical Sex, People, Politics and Practice, Daedalus Publishing, Los Angeles CA.
Mains G., 1984/2002, Urban Aboriginals: A Celebration of Leathersexuality, Daedalus, Los Angeles CA.
Mccann H., Monaghan W., 2020, Queer Theory Now: From Foundations to Futures, Red Globe, Londra.
Meyer R., 1990, “READING SEEING. Imagining Sadomasochism. Robert Mapplethorpe and the Masquerade of Photography”, in Qui Parle. Critical Humanities and Social Sciences, IV, 1: 62-78.
Miller D. A., 1992, Bringing out Roland Barthes, University of California Press, Berkeley / Los Angeles.
Mondin A., 2017, “Tumblr mostly, great empowering images. Blogging, reblogging and scrolling feminist, queer and BDSM desires”, in Journal of Gender Studies, XXVI, 3: 282-292.
Norman S., 1991, “I Am the Leatherfaerie Shaman”, in Thompson M., ed., 1991/2013, Leatherfolk: Radical Sex, People, Politics and Practice, Daedalus Publishing, Los Angeles CA.
Palazzi F., 2021, La politica della rabbia. Per una balistica filosofica, nottetempo, Milano.
Pecorari M., 2021, “Beyond an Archival Fashion”, in Tonchi S., ed., L’Officiel 100, Marsilio, Venezia: 16-19.
Pomeroy W. B., 1971, Dr. Kinsey and the Institute for Sex Research, Yale University Press, New Haven / London.
Patridge S., 2013, “Pornography, Ethics, and Video Games”, in Ethics & Information Technology, XV, 1: 25-34.
Ricoeur P., 1978, “Archives, Documents, Traces”, in Merewether C., ed., The Archive, MIT Press / Whitechapel, Cambridge MA: 66-69.
Robaard J., VAN Winkel C., eds., 2018, Archive Species: Bodies, Habits, Practices, Valiz, Amsterdam.
Rubin G. S., Mesli R., 2015, “SM Politics, SM Communities in the United States”, in Paternotte D., Tremblay M., (eds.), The Ashgate Research Companion to Lesbian and Gay Activism, Routledge, London / New York: 291-307.
Steele V., 1996, Fetish. Fashion, Sex and Power, Oxford University Press, New York; trad. ita. di Pintucci S., 2005, Fetish. Moda, sesso e potere, Meltemi, Roma.
Studio O.OO, 2020, No Magic In Riso, Taipei.
Svendsen L. F. H., 2004, Mote. Et filosofisk essay, Universitetsforlaget, Oslo; trad. ita. di Falcinella C., 2006, Filosofia della Moda, Guanda, Milano
Tiidenberg K., 2019, “Playground in memoriam. Missing the pleasures of NSFW Tumblr”, in Porn Studies, VI, 3: 363-371.
Torres D. J., 2010, Pornoterrorismo, Txalaparta, Pamplona; trad. it. di Traduttrici militanti, 2021, D Editore, Roma.
Van der Veer J., ed., 2020, Design in Conservative Times, Onomatopee, Eindhoven.
De Vries F., ed., 2016, Dictionary Dressing. Re-reading clothing definitions towards alternative fashion perspectives, Onomatopee, Eindhoven.
Worthen M. G. F., ed., 2016, Sexual Deviance and Society. A Sociological Examination, Routledge, Abingdon / New York.
Sitografia
brocardi.it, 2022, Art. 527 codice penale – Atti Osceni, consultato il 3 febbraio 2022, https://www.brocardi.it/codice-penale/libro-secondo/titolo-ix/capo-ii/art527.html; Luogo pubblico – Dizionario Giuridico, consultato il 3 febbraio 2022, https://www.brocardi.it/dizionario/5449.html
Calrider, 2018, The #GEAR365 resolution to make a gear revolution, “BLUF blog”, consultato il 10 febbraio 2022, https://www.bluf.com/blog/the-gear365-resolution-to-make-a-gear-revolution
Calrider, 17 luglio 2019, Perfectolad: Live Life Gear365, di CalRider, su Recon News, consultato il 23 marzo 2024, https://www.recon.com/en/Blog/Article/perfectolad-live-life-gear365/2827
COMOG – Coordinamento Moto Gay e Lesbico, La storia del CoMoG, consultato il 6 febbraio 2022, https://www.comog.it/comog/la-storia-del-comog/
Corbelli G. M., 2001, Quando il gay si veste di pelle, Gay.it, consultato il 26 gennaio 2022, https://www.gay.it/quando-il-gay-si-veste-di-pelle
Dall’Orto G., 18 marzo 2004, “Quelle maledette tessere Arcigay”, in rubrica controVerso, Gay.it, consultato il 3 febbraio 2022, http://www.giovannidallorto.com/attualita/controverso/tessere.html
Divemasterdaddy, 21 agosto 2019, Member Article: Getting “Thunderballed”, su Recon News, consultato il 23 marzo 2024, https://www.recon.com/en/Blog/Article/member-article-getting-thunderballed/2849
ECMC – European Confederation of Motorcycle Clubs, About & History, consultato il 26 gennaio 2022, https://ecmc.eu/about/
Facebook, #Gear365 (gruppo privato), Informazioni su questo gruppo, consultato il 10 febbraio 2022, https://www.facebook.com/groups/gear365/
Gearfetishx, forum, consultato il 6 febbraio 2022 | https://gearfetishx.com/forum/groups/topic/GearFetish-com-Archive.htm
Google, Guida di Play Console (Contenuti Inappropriati), consultato il 23 dicembre 2023, https://support.google.com/googleplay/android-developer/answer/9878810#zippy=%2Cesempi-di-violazioni-comuni
Hall J., 18 luglio 2016, “Revisiting the seminal queercore movement”, in dazeddigital.com, consultato il 16 febbraio 2022, https://www.dazeddigital.com/music/article/32097/1/revisiting-the-seminal-queercore-movement
LA&M (Leather Archives & Museum), consultato il 27 gennaio 2022, http://leatherarchives.org/ca/index.php/Front/Index
LCR (Leather Club Roma), Storia del Leather Club Roma - dal 1999 ai giorni nostri, consultato il 26 gennaio 2022, https://www.lcroma.com/it/storia-del-leather-club-roma/; ECMC - European Confederation of Motorcycle Clubs, consultato il 3 febbraio 2022, https://www.lcroma.com/it/ecmc/
LFI – Leather Friends Italia, The club, consultato il 26 gennaio 2022, https://www.lfitalia.it/en/the-club/
Rhatigan D., 2019, The Hot Type Club, pagina di ricerca, consultato il 12 gennaio 2022, http://hottype.club/wiki/index.php?title=Typefaces_used
Sanne, Hazmat suits from fetish to fashion, in RainwearPassion, consultato il 25 ottobre 2022, https://rainwearpassion.com/community/hazmat-suits-from-fetish-to-fashion-history/
Soulellis P., 7 maggio 2021, “What is queer typography?”, presentazione per Type Directors Club, Type Drives Communities Conference 2021, New York, consultato il 16 dicembre 2021, https://soulellis.com/writing/tdc2021/
Stewart E., 23 aprile 2018, “The next big battle over internet freedom is here”, in “vox.com”, consultato il 13 febbraio 2022, https://www.vox.com/policy-and-politics/2018/4/23/17237640/fosta-sesta-section-230-internet-freedom
Tumblr staff, 2022, Linee guida della Community, consultato il 13 febbraio 2022, https://www.tumblr.com/policy/it/community
Tumblr Help Center, Contenuti per adulti, consultato il 13 febbraio 2022, https://tumblr.zendesk.com/hc/it/articles/231885248#_=_
US Code (riportato da Cornell Law School – Legal Information Institute), 47 U.S. Code § 230 - Protection for private blocking and screening of offensive material, consultato il 18 febbraio 2022, www.law.cornell.edu/uscode/text/47/230
Williams M., 7 aprile 2015, “Fetish Art Comes Out of the Shadows at TASCHEN”, in artsy.net, consultato il 26 gennaio 2022, https://www.artsy.net/article/artsy-editorial-fetish-art-comes-out-of-the-shadows-at
WHO (World Health Organization), 2022, ICD-11 for Mortality and Morbidity Statistics – 6D36 Paraphilic disorder involving solitary behaviour or consenting individuals, consultato il 24 ottobre 2022, https://icd.who.int/browse11/l-m/en#/http%3a%2f%2fid.who.int%2ficd%2fentity%2f2055403635
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2024 Luca Cavallin
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Whatever is an open access journal, which means that all articles are available on the Internet to all users immediately upon publication. Our articles are published under the terms of the Creative Commons Licence 4.0 by-nc, which permits use and distribution in any medium, provided the original work is properly cited and the use is non-commercial.
Authors hold copyright without restrictions. Also, authors retain publishing rights on their articles; however, it is recommended to keep track of the CC-BY-NC license and to quote original publication.