Performative Theatre: a queer theatre?

Authors

DOI:

https://doi.org/10.13131/2611-657X.whatever.v3i0.38

Keywords:

performance arts, performativity, performance and theatre studies, queer, gender, performative theatre, body

Abstract

Researcher Josette Féral has studied the reciprocity between performativity and theatricality in the field of theatrical studies. With the term “performative theatre”, she intends to build continuity between the notions against the traditional view which opposes theatre and performance. Taking her works as a starting point, I explore the dynamics of what I call the state of trans- (trance, transition, transformation, transidentity, transgression, transfer…) in performative theatre. The idea is therefore to go beyond the dualisms that oppose theatre and performance as well as femininity and masculinity, among others. How did the performative turn foster the emergence of a queer theatre? To what extent does this affect the way bodies exist on stage?

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Published

2020-04-15

Issue

Vol. 3 (2020)

Section

Articles

License

Whatever is an open access journal, which means that all articles are available on the Internet to all users immediately upon publication. Our articles are published under the terms of the Creative Commons Licence 4.0 by-nc, which permits use and distribution in any medium, provided the original work is properly cited and the use is non-commercial.

Authors hold copyright without restrictions. Also, authors retain publishing rights on their articles; however, it is recommended to keep track of the CC-BY-NC license and to quote original publication.