Whatever. A Transdisciplinary Journal of Queer Theories and Studies

Announcements

Deadline extension

2023-12-01

The deadline for the “Queering the family” themed section is extended to December 31st. Please read the full announcement for important details.

Queering the Family: Exploring Non-Normative Family Figures in Literature, Arts, and the Media

2023-07-06

Special issue (Spring 2024) - call for contributions

2023-05-10

Current Issue

Vol. 5 (2022)

Published: 2022-08-05

Performing gender, race, nation: the queer turn in contemporary LatinAmerican...

Performing gender, race and nation. The queer turn in contemporary Latin American literature (1990‑2021) Editor’s introduction

Gabriele Bizzarri

165-174
- PDF (Español (España))
Styles of the Flesh: an Anthropological Mutation

Daniel Link

175-182
- PDF (Español (España))
What happens when transvestite ‘make world’? On Camila Sosa Villada’s Las malas Text read at the presentation of Las malas, by Camila Sosa Villada, on March 21, 2019

Gabriel Giorgi

183-188
- PDF (Español (España))
“The world of desire is not as bright as it is believed.” Abjection, body and transvestite agency in Las malas by Camila Sosa Villada

Richard Leonardo-Loayza

189-208
- PDF (Español (España))
The representation of queer practices and the re-signifying of family notions in two recent Argentinian novels: “I Am Whoever You Want to Call Me” and “The Evil Ones”.

Henri Billard

209-222
- PDF (Español (España))
Disrupting the wound, managing the suffering Rebelliousness in the poetry of Salvadoran lesbian authors

Tania Pléitez Vela

223-254
- PDF (Español (España))
Murder as a destination? Transgender identities in narratives of the Salvadoran postwar 1992‑2021

Amaral Arévalo

255-302
- PDF (Español (España))
“Estoy muy feliz de verte alive” Acoustics, friendships and archives of transgender and crossdressing performances (Chile and New York, 1990s)

Ignacio Pastén

303-326
- PDF (Español (España))
Transgenderism and social dissent in Marcial Gala’s Llámenme Casandra

Patricia Valladares-Ruiz

327-342
- PDF (Español (España))

View All Issues

Whatever. A Transdisciplinary Journal of Queer Theories and Studies

Announcements

Deadline extension

Queering the Family: Exploring Non-Normative Family Figures in Literature, Arts, and the Media

Special issue (Spring 2024) - call for contributions

Current Issue

Full Issue

Articles

Forbidden temporalities: the wayward aesthetics of Punchdrunk’s "Sleep No More"

Di Mana Bumi Dipijak, Di Situ Pelangi Dijunjung Migration West and the Spatio-Temporal Configuration of Queer Malaysian Identities in London

Lesbian lexicon: The construction of a repertoire of hate in Peruvian cyberforums

Performance, subversion, relation: tracing queer in BDSM

S/M, Splatter, and Body Modifications in the early Clive Barker Birth of a Political Aesthetics

William Seabrook and Man Ray Visualizing Sadomasochistic Intersubjectivity

Ballgags, ropes, and spatulas BDSM toys between specialty stores and everyday objects

Performing gender, race, nation: the queer turn in contemporary LatinAmerican...

Performing gender, race and nation. The queer turn in contemporary Latin American literature (1990‑2021) Editor’s introduction

Styles of the Flesh: an Anthropological Mutation

What happens when transvestite ‘make world’? On Camila Sosa Villada’s Las malas Text read at the presentation of Las malas, by Camila Sosa Villada, on March 21, 2019

“The world of desire is not as bright as it is believed.” Abjection, body and transvestite agency in Las malas by Camila Sosa Villada

The representation of queer practices and the re-signifying of family notions in two recent Argentinian novels: “I Am Whoever You Want to Call Me” and “The Evil Ones”.

Disrupting the wound, managing the suffering Rebelliousness in the poetry of Salvadoran lesbian authors

Murder as a destination? Transgender identities in narratives of the Salvadoran postwar 1992‑2021

“Estoy muy feliz de verte alive” Acoustics, friendships and archives of transgender and crossdressing performances (Chile and New York, 1990s)

Transgenderism and social dissent in Marcial Gala’s Llámenme Casandra

Make a Submission

Information