Styles of the Flesh: an Anthropological Mutation
DOI:
https://doi.org/10.13131/2611-657X.whatever.v5i1.193Keywords:
Copi, Performativity, Latin American theatre, Gender troublesAbstract
The short essay proposes a proto-queer reading of the work of playwright Raul Dalmonte (aka COPI), based on the author’s extensive research work on this champion of the Argentinian avant-garde. Here, the characters of COPI’s “theater of the world”, the puppets and mirages of his great baroque deception, are signaled as the standard-bearers of a new anthropology of the pose.
References
Barrandeguy E., 1997, Salvadora. Una mujer De “Crítica”. Biografia de Salvadora Medina Onrubia, Buenos Aires, Editorial Vinciguerra.
Butler J., 1990, trad. esp. 2007, El género en disputa. El feminismo y la subversión de la identidad, Barcelona, Paidós.
Copi, 2011, Teatro 1, Buenos Aires, El Cuenco de Plata.
Copi, 2012, Teatro 2, Buenos Aires, El Cuenco de Plata.
Copi, 2016, Teatro 4, Buenos Aires, El Cuenco de Plata.
Delgado J., 2005, Salvadora. La dueña del diario Critica, Buenos Aires, Sudamericana.
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