Vol. 5 (2022)

Articles

Forbidden temporalities: the wayward aesthetics of Punchdrunk’s "Sleep No More"

Tom Fish

1-22
- PDF
Di Mana Bumi Dipijak, Di Situ Pelangi Dijunjung Migration West and the Spatio-Temporal Configuration of Queer Malaysian Identities in London

Ash Masing

23-42
- PDF
Lesbian lexicon: The construction of a repertoire of hate in Peruvian cyberforums

Carolina Mirian Lovón-Cueva, Marco Lovón-Cueva

43-70
- PDF (Español (España))

Performance, subversion, relation: tracing queer in BDSM

S/M, Splatter, and Body Modifications in the early Clive Barker Birth of a Political Aesthetics

Giorgio Paolo Campi

73-96
- PDF
William Seabrook and Man Ray Visualizing Sadomasochistic Intersubjectivity

Sergio Cortesini

97-126
- PDF
Ballgags, ropes, and spatulas BDSM toys between specialty stores and everyday objects

Jan 'Jay' Szpilka

127-161
- PDF

Performing gender, race, nation: the queer turn in contemporary LatinAmerican...

Performing gender, race and nation. The queer turn in contemporary Latin American literature (1990‑2021) Editor’s introduction

Gabriele Bizzarri

165-174
- PDF (Español (España))
Styles of the Flesh: an Anthropological Mutation

Daniel Link

175-182
- PDF (Español (España))
What happens when transvestite ‘make world’? On Camila Sosa Villada’s Las malas Text read at the presentation of Las malas, by Camila Sosa Villada, on March 21, 2019

Gabriel Giorgi

183-188
- PDF (Español (España))
“The world of desire is not as bright as it is believed.” Abjection, body and transvestite agency in Las malas by Camila Sosa Villada

Richard Leonardo-Loayza

189-208
- PDF (Español (España))
The representation of queer practices and the re-signifying of family notions in two recent Argentinian novels: “I Am Whoever You Want to Call Me” and “The Evil Ones”.

Henri Billard

209-222
- PDF (Español (España))
Disrupting the wound, managing the suffering Rebelliousness in the poetry of Salvadoran lesbian authors

Tania Pléitez Vela

223-254
- PDF (Español (España))
Murder as a destination? Transgender identities in narratives of the Salvadoran postwar 1992‑2021

Amaral Arévalo

255-302
- PDF (Español (España))
“Estoy muy feliz de verte alive” Acoustics, friendships and archives of transgender and crossdressing performances (Chile and New York, 1990s)

Ignacio Pastén

303-326
- PDF (Español (España))
Transgenderism and social dissent in Marcial Gala’s Llámenme Casandra

Patricia Valladares-Ruiz

327-342
- PDF (Español (España))

Full Issue

Articles

Forbidden temporalities: the wayward aesthetics of Punchdrunk’s "Sleep No More"

Di Mana Bumi Dipijak, Di Situ Pelangi Dijunjung Migration West and the Spatio-Temporal Configuration of Queer Malaysian Identities in London

Lesbian lexicon: The construction of a repertoire of hate in Peruvian cyberforums

Performance, subversion, relation: tracing queer in BDSM

S/M, Splatter, and Body Modifications in the early Clive Barker Birth of a Political Aesthetics

William Seabrook and Man Ray Visualizing Sadomasochistic Intersubjectivity

Ballgags, ropes, and spatulas BDSM toys between specialty stores and everyday objects

Performing gender, race, nation: the queer turn in contemporary LatinAmerican...

Performing gender, race and nation. The queer turn in contemporary Latin American literature (1990‑2021) Editor’s introduction

Styles of the Flesh: an Anthropological Mutation

What happens when transvestite ‘make world’? On Camila Sosa Villada’s Las malas Text read at the presentation of Las malas, by Camila Sosa Villada, on March 21, 2019

“The world of desire is not as bright as it is believed.” Abjection, body and transvestite agency in Las malas by Camila Sosa Villada

The representation of queer practices and the re-signifying of family notions in two recent Argentinian novels: “I Am Whoever You Want to Call Me” and “The Evil Ones”.

Disrupting the wound, managing the suffering Rebelliousness in the poetry of Salvadoran lesbian authors

Murder as a destination? Transgender identities in narratives of the Salvadoran postwar 1992‑2021

“Estoy muy feliz de verte alive” Acoustics, friendships and archives of transgender and crossdressing performances (Chile and New York, 1990s)

Transgenderism and social dissent in Marcial Gala’s Llámenme Casandra

Make a Submission

Information